Hawaiʻi is vulnerable to the negative effects of climate change, urbanization, militarization, and tourism. This sculpture, made of materials intercepted from the waste stream, is inspired by the symbolic forms of the pūhala (pandanus tree) that represent a sustainable and resilient future. At night the sculpture lights up through solar powered LED to transform into a glowing beacon.
Ho‘okumu refers to the source of water starting from a single raindrop drawn from the mist and clouds in the mountains that flows downward and becomes part of the Moana, the ocean. Using stainless steel wire and one of the oldest styles of net-making, Ho‘okumu—Moana illustrates this first droplet as light and airy. Small crystals are woven on the top sphere representing a navigational tool and recognizing the importance of celestial navigation and connection with the Moana.
Sean Connelly’s sculpture is a prototype for modern architecture with interlocking squares held together by the indigenous technology of lashing inspired by traditional cordage used on Hawaiian wa‘a, or canoes. The work, made of wood constructed by Ian Eichelberger with lashings installed by Hawaiian artist Kupihea, is presented as a testimony for justice-advancing architecture in Honolulu and creates a moment to observe the technology of lashing used structurally in a common building system or framework.
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